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The Queen’s Six

From Windsor With Love
Available by Subscription
PERFORMING ARTS SERIES | 2025-26 SEASON
Thursday, October 30, 2025, at 7:30 PM
Oct 30, 2025 7:30 PM Oct 30, 2025 10:00 PM America/Chicago The Queen’s Six From Windsor With Love - https://www.armstrongauditorium.org/performance/the-queens-six Armstrong Auditorium 14400 S. Bryant Road Edmond, OK 73034 Armstrong Auditorium sgranger@armstrongauditorium.com
From Windsor With Love

Based at Windsor Castle, members of The Queen’s Six make up part of the Lay Clerks of St George’s Chapel, whose homes lie within the castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the royal family at both private and state occasions; in 2022, they sang at the Committal of the official funeral services for Queen Elizabeth II. With distinctive closeness and blend, as well as an irresistible informality and charm, the Queen’s Six takes you on a journey through music written for and by royalty, along with the age-old theme of love. “From Windsor With Love” features music heard at recent major royal events, as well as arrangements of pop love songs from the group’s recent album of the same name.

Photo (from left) Dominic Bland, Andrew Thompson, Simon Whiteley, Nicholas Madden, Lissie Paul, Tom Lilburn


“One senses . . . the evident enjoyment they derive from singing together. It brings a kind of twinkle to the performance that it is hard to find inthe proliferation of groups of this type . . . barely contained excitement . . . this music is in the blood of these singers.”
—GRAMOPHONE

“Singing together every day at St. George’s has clearly given The Queen’s Six enviable quality of tone but it’s their late-night-jazz close harmony arrangements that blew me away. This group gets better and better.”
—GARETH MALONE, OBE

“The finest performance of Byrd’s Mass for Five Voices that I have yet heard . . . perfect tuning, inviting stage demeanour, and enviable sense of ensemble . . . It was an experience that I shall not soon forget.”
—MAHAN ESFAHANI, BBC Radio 3